This June, the third edition of the Periplo International Circus Festival took place in Guadalajara, Mexico. Run by the same organizational committee as its predecessor, the Barullo Circus Festival, the Periplo Festival is an absolute triumph.
The festival took place across two main venues – “El Foro;” a new training and thrust performance space owned by Periplo, and “Larva;” the Laboratorio de Arte Variedades, a giant theater space owned by the Mexican Government and their council for the arts. Periplo’s organizers fought to have the event’s first edition at Larva, and they were skeptically given permission by the Government. Juan Mendez Rosas (the festival producer) and his team must have impressed the coordinators at Larva, though, as he was called and asked to make it an annual production just after the event’s final gala show curtain closed. This year marks the third year of the festival, and the third year of their relationship with the Larva space.
Entrance tickets to this week-long festival was limited 100 jugglers, acrobats, hoopers, and aerialists. Juan explained to me that Periplo is working to differentiate itself from Cirkonvention, the annual circus festival just outside of Mexico City. Cirkonvention is an outdoor camping event on the same scale as the EJC, with attendance in the thousands. “Cirkonvention is great – it’s a big party,” Juan explained, “we want Periplo to be more about learning and workshops, though – it’s a festival where people train hard and focus.”
This ambition took fruition in the festival’s structure. Periplo is a week long event, with the first three days dedicated to special intensive workshops with invited guests. Cyrille Humen (contact juggling, Switzerland,) Marianna de Sanctis (hula hoops, Italy,) Jorge Reza (clown, Mexico,) and Jade Zeron (corde lisse, Mexico) were this year’s special workshop instructors. Other artists offered workshops throughout the rest of the week, with an extremely wide range of disciplines. The lineup included artists such as Chloe Walier (static trapeze, USA,) Leo Zevira (handbalance, Venezuela,) Nano (theatrical lighting, Mexico,) Rodrigo & Solene (hand to hand, Mexico,) and others – if you’re interested, you can see the full lineup here.
One of the festival’s main draws was the IJA’s Regional Competition (IRC), which was held on Thursday night. A field of eight entrants from Mexico, El Salvador, and Germany presented acts vyying for the gold medal (uh, gold embossed acrylic. Have you seen the IRC medals? They’re taking the IJA to the space-age.)
First up was Jafet Padawan, a 16-year old hotshot juggler from Toluca, in the outskirts of Mexico City. His act was technical and at times poetic, drawing heavily on inspiration from Jay Gilligan’s work. He ran cleanly through the act, finishing with a six club multiplex cascade.
Ana Morales, a Guadalajara native and coordinator of the local hoop festival, graced the stage next. She presented a modern hooping number full of delicate balances, contrasting fluid movement with sharp, twitching manipulations. She was a crowd favorite and a strong contender in the competition.
Balbino was the first import, coming to the festival all the way from El Salvador. Balbino is a seasoned traffic light juggler who blazed through an act showcasing his headbounce, balance, and unicycle skills. His finale was five clubs on a giraffe unicycle, he achieved it on his third try, much to the audience’s delight.
Ricardo Lopez presented an elegant club juggling number, demonstrating mastery of one, two, and three club contact juggling. His act set a tone similar to Florent Lestage’s number with a club and cane – eerie, beautiful, and full of gorgeous, uninterrupted sequences. For Ricardo’s final choroegraphy, he swung four clubs attached to a chandalier as pendulums, dancing the objects around himself and towards the audience. It was a lovely number.
Ivan, a 22 year old contact poi juggler was up next. He presented his act accompanied by dubstep and the adoring screams of a sign-waving faction of the audience. His act had some errors in execution, but had nice movement and character. Watching it, you could see he’d been taking notes at Cyrille Humen’s special workshop in the early days of the festival.
Frix Elting, an expatriated German ball juggler, performed a completely bizarre and riveting number after Ivan. Covered in bandages and an arm stained with blood, she created an act full of improvisation, contact rolls, and good humor. She was accompanied by a guitar player on stage right, and playfully blamed him for more than one of her errors at the beginning of the act. Frix encountered several wardrobe malfunctions throughout her act due to the nature of her bandages, but this master improvisor took her exposed breast as an offer, rather than a problem to address and ignore. With this number, Frix took the silver medal.
Next, came Braulio Lopez with an eccentric gentleman juggling act. He swaggered in from off stage in a lime green suit, juggling right away – deftly paddidling an attache case on his finger. A flurry of activity had him juggling from one to six hats, balancing them on umbrellas, and running like a madman across the stage. Braulio’s act had an incredibly personal feel – the kind of performance style he’s honed on cabaret stages across Puerto Vallara, a resort town a few hours to the West of Guadalajara. His number was awarded the gold medal at the IRC by a landslide.
Closing the competition was Dennis Vertti, a juggler coming from a traditional circus family in the Mexican countryside. An easy crowd favorite, Dennis wore a tight, bright, sequined costume and performed an extremely technical routine that brought the audience to its feet. He was traditional circus personified. Highlights from his act included a three ball one-up front handspring, a five ring ultimate pulldown, a flash of seven clubs, a seven ring breakdown (a la Anthony Gatto, fanning himself with a ring in his hand,) and a nine ring flash — so breathlessly perfect that he stood and waited until the final ring was about to hit the floor before catching it. Dennis won the bronze medal at the competition and the GBallz prize, awarded to the audience’s favorite act incorporating balls.
The competitors all fought hard, and all of the entrants should feel proud of the work they presented. The IJA’s regional competition, like the competitions at the main IJA festival, is designed to help push jugglers to create new, interesting, and technically interesting work. Over the past three years, the IRC has helped spur the careers of its medalists. A quick glance at the career of Fer Sumano, the 2011 gold medal winner, can attest to the program’s success. After taking first place at the IRC held at the Barullo festival in Guadalajara, she was invited to perform at events all across Mexico and the surrounding countries in Latin America.
Besides the IJA’s event, there were more highlights than I can relay in this article, but I’ll do my best to paint a few quick images for you.
– Dozens played combat on a closed off street outside of the Periplo Foro. No clubs? No problem. Some of the players juggled their shoes, instead.
– Ahogado sandwiches at streetside cafes – these are “drowned” sandwiches, covered in tangy red salsa. A Guadalajara classic, and an absolute must-experience for anyone going to Periplo next year!
– Andres Aguilar, the host of the first gala show, devised a clever way to close Cyrille’s set in the program. Andres invented a number of silly contact poi moves and did a short routine with them. At the end of the routine, the poi slowly floated into space, away from the stage, as Andres watched it leave with absolute sincerity and sentimentality. Little did anyone know, Andres had attached the prop to a thread leading to the theater’s rigging, and a technician was slowly hoisting the prop to the ceiling. Cyrille’s poi were suspended several meters above the stage for the rest of the week, reminding everyone of the magic that took place that night.
– Geovanni Paredes, a juggler from Puebla, Mexico, was a last minute addition to the final gala show. He’s a technical juggler who has a few unique stunts in his repertoire. He does an incredible trick with a tall perch pole. The pole has small platforms circling its length, leading up to a basket at the top. He bounces a ball from platform to platform, all the way up to the top. He nailed this finale trick, and the audience went absolutely insane.
Geovanni and I met in Riga, Latvia at the international circus festival there this past January – his pole has gotten even taller since then! (You can read about the Riga Cirks festival here!)
– Jorge Rezas, clown and second gala emcee, ad libbing after his tray of glasses was dropped on their way to the stage. His trick, “the most beautiful balance trick you will see today,” involved balancing some two dozen red champagne flutes in a pyramid on his chin… but the stagehand slipped on the dark stairs and the glasses went flying across and under the stage’s risers. Jorge, a master improviser, managed to have the audience on the edge of their seats with the one flute that escaped without breaking.
– Duo Cardio, an acrobatic duet from Mexico by way of France and Uruguay closed the final gala show with an incredible perch pole number. Solene climbed three stories up a pole (yes, stories) balanced on Rodrigo’s forehead, and manipulated a hat with her feet while in a handstand at the top. If that’s hard to imagine from this description, I understand – it’s hard to believe in person, too.
– Crazy latin dance parties with ten piece bands breaking out at the Foro during late night parties – with everyone clamoring to dance. I’ve never seen more hips wiggling than at Periplo.
– Bravisimo, a local clown troupe, did an absolutely incredible routine about flying into outer space in the Open Stage show. These guys will be at the Kansas City Juggling Festival this year, and you shouldn’t miss the opportunity to see them – they’re hysterical, compelling, and extremely polished.
– Chloe and I performed our paddleball act in the first gala show. As it turns out, paddleball isn’t something they’re familiar with. In the US, audiences respond immediately to their familiar children’s toy. In Mexico, the audience responds to the Americans playing with… whatever that is.
All in all, Periplo 2015 was an outstanding event. If you’re looking to take a trip next summer, I’d encourage you to visit Guadalajara, take in some shows, and cheer on the performers at the 2016 IJA Regional Competition in Mexico.
Photos by Julio Lopez